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Great songwriting, vocals, and an original twist on an old formula should keep them around for decades, hopefully. A friend of mine also attending the show, not having heard BoS before, texted me during their set: “Who is this band? They’re awesome!” The audience cheered after every song, and “Sweet Sour”, “The Devil Takes Care Of His Own”, and “Death By Diamonds and Pearls” were high points. Opening act Band of Skulls, an English blues-rock trio, played a tight, professional, and well-received set, clearly winning over some new friends.

However, they create infectious rock music magic when they set aside their differences and collaborate, in the studio and live. The internal tension and individual battles along with addiction added to the mystery, causing the band to break up several times. Chris Chaney has been the go-to bass player in the studio since the Strays album (2003). Avery, Navarro, and Farrell have all gone through drug and addiction recovery. The Baltimore gig was a celebration of these roots, proving that Jane’s Addiction are polished and creative musicians that have survived decadent and grueling experiences. With a new contract with Warner Bros., the band released Nothing’s Shocking in 1988. In 1987, after several guitarists and a drummer change, they began supporting other bands, like Love & Rockets, with Dave Navarro (guitar, duh), Stephen Perkins (double duh), and Avery, gaining a loyal following in their native Los Angeles. By 1985, Perry Farrell’s band Psi Com was dissolving and he met original JA bassist Eric Avery. On a recent Tuesday night, Jane’s Addiction stopped by the humble burg of Baltimore and gave an inspirational, memorable performance.

The lyric opera house baltimore maryland